Designed by Robin Day.
A design that has truly stood the test of time, the 675 Chair is one of the most recognised of the 20th century. Originally created in 1952, this Robin Day chair’s most prominent feature is its curved walnut-veneered plywood back.
Pioneering at the time, Robin Day overcame the difficulty of forming a single moulded plywood chair with armrests, by creating a fluid shape using a singular curve.
Available with black or chrome frame, oak or walnut armrest.
Upholstered in piped black leather.
Veneered ply back with clear polyurethane lacquer
Steel tube frame - chromed or black powder-coated
Injection moulded seat pad upholstered in piped leather
W630 × H810 × D510mm
In stock and ready to despatch! UK delivery usually 3-7 days. Larger items and non mainland addresses will take a little longer.
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More information about 675 Chair by Case
675 Chair, 1953
Whereas 1930s furniture had been heavy and ponderous, Day’s post-war designs were light on their feet and economical in their use of materials. A minimalist frame was adopted for the 675 Chair, a dining chair with a slender floating moulded plywood seat back.
In September 2014 Case Furniture launched an authentic new production of Robin Days’ classic 675 Chair (1952). An example of the original production was sourced as the template for development work carried out in consultation with the Robin and Lucienne Day Foundation. It was awarded a Design Guild Mark by the Furniture Makers' Company in March 2015.
Robin and Lucienne Day
Together, Robin and Lucienne Day transformed British design after World War II with striking furniture and textiles that signaled a new era of modernist sensibilities for everyday living. Robin’s revolutionary furniture designs introduced materials such as plastic, steel and plywood to homes, offices and schools. His stacking polypropylene chair endures as an icon and now graces a Royal Mail postage stamp. Lucienne’s abstract textile designs brought accessible elegance into the homes of postwar British consumers.
The Days’ fresh design approaches, including their contributions to the Royal Festival Hall in 1951, helped fuel the artistic and commercial awakening that led Britain out of the devastation of World War II.