Together, Robin and Lucienne Day transformed British design after World War II with striking furniture and textiles that signaled a new era of modernist sensibilities for everyday living. Robin’s revolutionary furniture designs introduced materials such as plastic, steel and plywood to homes, offices and schools. His stacking polypropylene chair endures as an icon and now graces a Royal Mail postage stamp. Lucienne’s abstract textile designs brought accessible elegance into the homes of postwar British consumers.

The Days’ fresh design approaches, including their contributions to the Royal Festival Hall in 1951, helped fuel the artistic and commercial awakening that led Britain out of the devastation of World War II.

Born in 1957, Matthew Hilton studied at Portsmouth College of Art and then at Kingston Polytechnic. After graduating he worked for Capa as an industrial designer and model maker. He then set up his own design studio/workshop in 1984.

Matthew Hilton doesn't believe in design movements, and he really doesn't like the concept of design as a fashion. Rather, he thinks the design process is part of the evolution of any object through history. Designing with the end user in mind, and whether that means a household of ten or one, he takes pleasure in finding the fluid, easily adaptable solution to fit today's domestic spaces.