Odyssey 2-Seater Sofa by Nazanin Kamali for Case

Odyssey 2-Seater Sofa


Inspired by the timeless aesthetic of furniture from the 60s and 70s, with an added intergalactic twist, the Odyssey is crafted from a solid frame and foam inners for a soft but stable seat.
Designed by Nazanin Kamali, the Odyssey is available as a 2 Seater-Sofa and Armchair. Made in Italy.

Upholstered in 75% recycled cotton, providing a sleek and streamlined finish to furniture. It’s super-soft, too, beckoning you to glide your hand along its beautifully tactile surface. Breathable and lightweight, it’s a dream in the summer months, while natural insulation provides warmth and comfort during winter. Natural, earthy colours only enhance its beauty.


Solid timber frame
Foam filling
Upholstery 75% recycled cotton, 25% polyester
Martindale Rub Count: 30,000
Clay, Denim, Pewter, Green, Yellow

H765 W1740 D970mm
Seat Height 420mm

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More information about Odyssey 2-Seater Sofa by Nazanin Kamali for Case

675 Chair, 1953

Whereas 1930s furniture had been heavy and ponderous, Day’s post-war designs were light on their feet and economical in their use of materials. A minimalist frame was adopted for the 675 Chair, a dining chair with a slender floating moulded plywood seat back.

In September 2014 Case Furniture launched an authentic new production of Robin Days’ classic 675 Chair (1952). An example of the original production was sourced as the template for development work carried out in consultation with the Robin and Lucienne Day Foundation. It was awarded a Design Guild Mark by the Furniture Makers' Company in March 2015.

Robin and Lucienne Day

Together, Robin and Lucienne Day transformed British design after World War II with striking furniture and textiles that signaled a new era of modernist sensibilities for everyday living. Robin’s revolutionary furniture designs introduced materials such as plastic, steel and plywood to homes, offices and schools. His stacking polypropylene chair endures as an icon and now graces a Royal Mail postage stamp. Lucienne’s abstract textile designs brought accessible elegance into the homes of postwar British consumers.

The Days’ fresh design approaches, including their contributions to the Royal Festival Hall in 1951, helped fuel the artistic and commercial awakening that led Britain out of the devastation of World War II.