Ada Armchair By Matthew Hilton for SCP

Ada Armchair By Matthew Hilton for SCP

SCP

Designed by Matthew Hilton.  

An authoritative armchair design that balances comfort with a delicate hand-drawn aesthetic. With generous proportions to cradle the human frame, the chair is assured in its form, with curves and elongated lines that display a purposeful self-control.

"SCP have a very particular way of doing upholstery, it's not the modern way to do it. I’ve said this before, and it might be a bit of a cliché, but it’s like making a tailor-made suit, and they have that feel." Matthew Hilton.

Made to order in a selection of fabric and leather ranges, view all material swatches here. Contact us to order samples or book a complimentary appointment to discuss finishes with our haus design and sales team. For online orders, add a note of your colour choice at checkout. 

Sustainability
SCP have reverse engineered their entire catalogue of upholstery designs to remove foam, and therefore fire retardant chemicals, from their furniture. This dedicated development work, in addition to a build quality that ensures longevity, and a factory in Norfolk that employs and skills a local workforce, means a truly sustainable collection of upholstery design.

Details

Materials
Made at SCP’s specialist upholstery factory in Norfolk, England, using natural and sustainable materials.
With a frame made from FSC beech and softwood ply. Upholstered with wool interliner, hessian, Typar, jute webbing, wool felt, Cocolok, needled wool and HD wool. With a feather cushion.

Dimensions
W90 × D92 × H82cm
Seat Height 49cm

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More information about Ada Armchair By Matthew Hilton for SCP

Matthew Hilton

Born in 1957, Matthew Hilton studied at Portsmouth College of Art and then at Kingston Polytechnic. After graduating he worked for Capa as an industrial designer and model maker. He then set up his own design studio/workshop in 1984.

Matthew Hilton doesn't believe in design movements, and he really doesn't like the concept of design as a fashion. Rather, he thinks the design process is part of the evolution of any object through history. Designing with the end user in mind, and whether that means a household of ten or one, he takes pleasure in finding the fluid, easily adaptable solution to fit today's domestic spaces.